Mouse Book: A Story of Apodemus, a Long-tailed Field Mouse

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Kaplan, Arie (2006). Masters of the Comic Book Universe Revealed!. Chicago Review Press. ISBN 978-1-55652-633-6. Born Andzia Zylberberg, with the Hebrew name Hannah. Her name became Anna when she and Vladek arrived in the U.S. [30] Frahm, Ole (May 2004). "Considering MAUS. Approaches to Art Spiegelman's "Survivor's Tale" of the Holocaust by Deborah R. Geis (ed.)". Image & Narrative (8). ISSN 1780-678X . Retrieved January 30, 2012. Meskin, Aaron; Cook, Roy T., eds. (2012). The Art of Comics: A Philosophical Approach. John Wiley & Sons. ISBN 978-1-4443-3464-7. Witek, Joseph (2004). "Imagetext, or, Why Art Spiegelman Doesn't Draw Comics". ImageTexT: Interdisciplinary Comics Studies. University of Florida. 1 (1). ISSN 1549-6732. Archived from the original on November 29, 2014 . Retrieved April 16, 2012.

Ahrens, Jörn; Meteling, Arno (2010). Comics and the City: Urban Space in Print, Picture, and Sequence. Continuum International Publishing Group. ISBN 978-0-8264-4019-8. Tout en BD staff (1993). "Le festival BD: Le palmarès 1993" (in French). Tout en BD. Archived from the original on October 5, 2011 . Retrieved January 31, 2012. Liss, Andrea (1998). Trespassing Through Shadows: Memory, Photography, and the Holocaust. University of Minnesota Press. ISBN 978-0-8166-3060-8.Kaplan 2008, p.172; Sabin 1993, p.246; Stringer 1996, p.262; Ahrens & Meteling 2010, p.1; Williams & Lyons 2010, p.7. Langer, Lawrence L (December 6, 1998). "A Fable Of The Holocaust". The New York Times . Retrieved August 28, 2012. Fathers, Michael (2007). "Art Mimics Life in the Death Camps". In Witek, Joseph (ed.). Art Spiegelman: Conversations. University Press of Mississippi. pp.122–125. ISBN 978-1-934110-12-6. (Originally in Independent on Sunday on 1992-03-22) American comic books were big business with a diversity of genres in the 1940s and 1950s, but had reached a low ebb by the late 1970s. [55] [56] By the time Maus began serialization, the "Big Two" comics publishers, Marvel and DC Comics, dominated the industry with mostly superhero titles. [57] The underground comix movement that had flourished in the late 1960s and early 1970s also seemed moribund. [58] The public perception of comic books was as adolescent power fantasies, inherently incapable of mature artistic or literary expression. [59] Most discussion focused on comics as a genre rather than as a medium. [60] Gambino, Lauren (April 28, 2015). "Art Spiegelman warns of 'dangerous' outcome as Russian shops ban Maus". The Guardian. Archived from the original on June 2, 2015 . Retrieved August 23, 2015.

Most of the book weaves in and out of two timelines. In the frame tale of the narrative present, Spiegelman interviews his father Vladek in the Rego Park neighborhood of Queens in New York City in 1978–79. [1] [2] [3] The story that Vladek tells unfolds in the narrative past, which begins in the mid-1930s, and continues until the end of the Holocaust in 1945. [2] [4] Weine, Stevan J. (2006). Testimony After Catastrophe: Narrating the Traumas of Political Violence. Northwestern University Press. ISBN 978-0-8101-2300-7.National Book Critics Circle staff (2012). "All Past National Book Critics Circle Award Winners and Finalists". National Book Critics Circle. Archived from the original on April 8, 2014 . Retrieved January 31, 2012. a b Gorman, Steve (January 28, 2022). "Tennessee school board bans Holocaust-themed graphic novel 'Maus' ". Reuters . Retrieved January 28, 2022. Again the Lion didn’t move so the mouse climbed up the lion's face and shouted in his ear. ‘Why should we be scared of lazy lions who spend all day snoring under trees?’ Baym, Nina; Klinkowitz, Jerome; Krupat, Arnold; Wallace, Patricia B., eds. (2007). The Norton Anthology of American Literature. Vol.E. W. W. Norton. ISBN 978-0393927436. Schwab, Gabriele (2010). Haunting Legacies: Violent Histories and Transgenerational Trauma. Columbia University Press. ISBN 978-0-231-52635-7.

Mandel, Naomi (2006). "The Story of my Death: Night, Maus, Shoah and the Image of the Speaking Corpse". Against the Unspeakable: Complicity, the Holocaust, and Slavery in America. University of Virginia Press. pp.99–130. ISBN 978-0-8139-2581-3. Reizbaum, Marilyn (2000). Silberstein, Laurence Jay (ed.). Mapping Jewish Identities. New York University Press. ISBN 978-0-8147-9769-3. Colbert, James (November 8, 1992). "Times Book Prizes 1992: Fiction: On Maus II". Los Angeles Times . Retrieved January 31, 2012.

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Gross, Jenny (January 27, 2022). "School Board in Tennessee Bans Teaching of Holocaust Novel 'Maus' ". The New York Times. Spiegelman developed an interest in comics early and began drawing professionally at 16. [43] He spent a month in Binghamton State Mental Hospital in 1968 after a nervous breakdown. Shortly after he got out, his mother died by suicide. [2] Spiegelman's father was not happy with his son's involvement in the hippie subculture. Spiegelman said that when he bought himself a German Volkswagen it damaged their already-strained relationship "beyond repair". [44] Around this time, Spiegelman read in fanzines about such graphic artists as Frans Masereel who had made wordless novels. The discussions in those fanzines about making the Great American Novel in comics inspired him. [45] From the original, more detailed 1972 "Maus" strip Merino, Ana (2010). "Memory in Comics: Testimonial, Autobiographical and Historical Space in Maus". TransAtlantica. 2010 (1). ISSN 1765-2766 . Retrieved February 1, 2012. Beaty, Bart (March 7, 2012). "Conversational Euro-Comics: Bart Beaty On Katz". The Comics Reporter . Retrieved April 17, 2012.

Born Itzhak Avraham ben Zev; his name was changed to Arthur Isadore when he immigrated with his parents to the U.S. [25]Wizard staff (June 2009). "100 Greatest Graphic Novels of our Lifetime". Wizard. Wizard Entertainment (212). Fronczek, Mel. "Defense of 'Maus' erupts online after McMinn County schools remove it from curriculum". The Tennessean. Nashville. Jannequin, Jean-Paul (April 1990). "Druillet and Spiegelman Take Grand Prizes". The Comics Journal. Fantagraphics Books (121): 19. ISSN 0194-7869. In response to Spiegelman’s Maus I and Maus II being removed from the schools by McMinn county, Tennessee school board members, I am offering this free online course for any McMinn county eighth-grade or high school students interested in reading these books with me,” said Scott Denham of Davidson College. Obst, Peter. "A Commentary on Maus by Art Spiegelman". American Council for Polish Culture . Retrieved May 16, 2012.